Caden Basile's Sophomore Recital

Caden assembled an impressive crowd for his second full solo recital at Oberlin. His program, varied as usual, but with some unusual repertoire bits incorporated, landed beautifully in the ambient space of Fairchild Chapel. He began with one if my favorites, Ruiz-Pipo’s Canción y Danza No 1.

Caden Basile performs in Fairchild Chapel

Next up, one of Giuliani’s most appealing variations sets, his Op. 49, was delivered with nimble purpose. He handled comfortably the various technical challenges on offer.

In one of the evening’s high points, Caden followed with two works of Dowland. The combination of Caden’s sensitivity to the style, his control over the passagework, and the natural ambiance of the hall, created a wonderful moment. (Full program at the end).

In his first of two contemporary works, Caden indicated with musical clarity and riveting intensity, his affection for the new. In this case, it was Smith-Brindle’s Polifemo de Oro.

Three Valses Venezolano followed. Finally, Caden ended with Dyens’ Songe Capricorne. Once again, it was clear how much he especially enjoys playing contemporary music. The hushed ending, crafted so well by the composer, worked beautifully in the hall. The audience responded in kind, leading to an encore. He came back on stage and played a fourth Lauro Valse. This was a very impressive performance.

Congratulations, Caden! We look forward to seeing what’s next!!

Caden with his grandparents